Thesis (M.A.)--University of Hawaii at Manoa, 2005.Includes bibliographical references (leaves 196-202).vi, 202 leaves, bound music 29 cmThis thesis identifies and discusses aspects of the underground rock music scene formed after the mid-1990s in the Shinchon and Hongik University area of western Seoul, Korea. Although initially the Korean underground rock music was marginalized outside the mainstream of Korean popular music, its audience has gradually increased. In the 2000s, the scene is lively, active, and energetic. The study details how this Korean underground rock music culture has developed as a subculture (Hebdige) through the processes of globalization and localization (Appadurai) by examining first how the underground rock music ...
This thesis examines theoretical debates about cultural appropriation and postmodern plurality and h...
2020-04-19This dissertation aims to define the meaning of Hanguk hip hop — Korean hip hop — by (1) o...
An ethnography of music making on Chindo Island, South Korea, based on fieldwork conducted between 1...
This dissertation examines intercultural interactions between South Korean (hereafter Korean) musici...
Korea's nationalistic antagonism towards Japan and "things Japanese" has mostly been a response to t...
This thesis examines the cultural consumption of live music events in contemporary South Korea. It e...
Underground music is considered to have a very strong context in terms of cultural capital. Pluralis...
This is a study of the cultural production of visual rock, a genre of Japanese popular music that be...
Apart from politics and market, ideology was a significant factor in the realm of rock music. Uphold...
This dissertation examines the music subculture in Hong Kong using the two music venues for band per...
This study contributes to understanding diaspora and its music cultures by examining the Korean genr...
My thesis examines the appropriation of Black culture into Korean Popular music, or K-pop, as a) a t...
The author of this paper traces the history and development of popular music in Korea, and, afterwar...
The colonial period represents a complex situation in which Korean music performances were transform...
Thesis (Ph.D.)--Boston UniversityPLEASE NOTE: Boston University Libraries did not receive an Authori...
This thesis examines theoretical debates about cultural appropriation and postmodern plurality and h...
2020-04-19This dissertation aims to define the meaning of Hanguk hip hop — Korean hip hop — by (1) o...
An ethnography of music making on Chindo Island, South Korea, based on fieldwork conducted between 1...
This dissertation examines intercultural interactions between South Korean (hereafter Korean) musici...
Korea's nationalistic antagonism towards Japan and "things Japanese" has mostly been a response to t...
This thesis examines the cultural consumption of live music events in contemporary South Korea. It e...
Underground music is considered to have a very strong context in terms of cultural capital. Pluralis...
This is a study of the cultural production of visual rock, a genre of Japanese popular music that be...
Apart from politics and market, ideology was a significant factor in the realm of rock music. Uphold...
This dissertation examines the music subculture in Hong Kong using the two music venues for band per...
This study contributes to understanding diaspora and its music cultures by examining the Korean genr...
My thesis examines the appropriation of Black culture into Korean Popular music, or K-pop, as a) a t...
The author of this paper traces the history and development of popular music in Korea, and, afterwar...
The colonial period represents a complex situation in which Korean music performances were transform...
Thesis (Ph.D.)--Boston UniversityPLEASE NOTE: Boston University Libraries did not receive an Authori...
This thesis examines theoretical debates about cultural appropriation and postmodern plurality and h...
2020-04-19This dissertation aims to define the meaning of Hanguk hip hop — Korean hip hop — by (1) o...
An ethnography of music making on Chindo Island, South Korea, based on fieldwork conducted between 1...